Tag: Environment

The arrival of Copper in Swansea

The arrival of copper smelting in Swansea changed the nature of industrialisation and transformed the thousand year old coal industry into something new. The redevelopment of Hafod-Morfa and the branding of Swansea Copper as a commodity for tourism involves a lot of verbal gymnastics explaining to new generations and visitors what the copper industry was and why they should be interested in it all. And what it used to look like because it sure as hell doesn’t look like anything now.

It is a tough sell as almost every structure related to the industry was demolished in the twentieth century. The ruins were dirty, dangerous, toxic and were seen as ugly. Fast forward to today when clever marketers will be paid to dress up what is left into a ‘legacy’ tourism…anything is possible with the right amount of ‘Levelling Up’ money. Until it runs out.

Although we have two chimneys and a flavoured whisky business leading the charge to new tourism, there is one legacy of the copper industry that will never be erased…the pollution. I talk of a lot of this in Chapter Three of the Cilfái: Historical Geography book. The copper waste tips of the Lower Swansea Valley were famous on a European scale. most is still there but levelled out and (sort of) grassed over. It continues to inject zinc, cadmium, lead and mercury into the water table.

You can order a copy of Cilfái: Historical Geography on Kilvey Hill, Swansea direct from me, or you can go online to my Lulu site and get one printed immediately. Shop the Independent Bookstore | Lulu

Below: Slag from White Rock will often have the green stain of copper and the remains of the charcoal thrown onto the molten copper at certain times of the smelting process. The nastiest and most toxic tip is right next to the White Rock remains. The waste was thrown on to the meadow of Cae Morfa Carw and the conical pile of waste is like a gravestone over the remains of the pre-industrial landscape.

The Botany of Bombsites

In the early spring of 1941, two people followed in the footsteps of the bomb disposal teams, firefighters and council workers as they worked through the shattered ruins of Swansea’s blitzed town centre. The first was artist Will Evans, who was keen to document the chaos of ruins and the loss of the heart of the town. Evans left a legacy of vivid watercolours that are well-known. However, the other person was naturalist M. H Sykes, who is less well known. Sykes was a member of the Swansea Scientific and Naturalist Society (SSFNS), and she was a competent botanist with a keen eye.

The ’Three Nights’ Blitz’ inflicted grievous damage on Swansea.  The air raids and the ensuing fires created over 16 hectares of broken buildings and rubble at the heart of Swansea. It must have been horrendous.

In 1941, across the country, botanists realised that the blitzed landscapes would soon offer a unique opportunity to witness a comparatively rare phenomenon. This was the emergence of ‘spontaneous vegetation’, the pioneer plants that would arise on the broken brick and rubble. The phenomenon was first recorded amongst the ruins of London after the Great Fire in 1666. In 1941, expanses of ruins reappeared in London and blitzed towns such as Swansea along with the newly christened ‘bombsite flora’.

My article on the bombsite floras of Swansea is forthcoming in the next edition of Swansea History Journal published by the Royal Institution of South Wales http://www.risw.org/publications.htm

Coming soon.

Image: Eliot Hodgkin was one of the very few artists attracted to the contrasts between the brutality of the war ruins and the vegetation that covered them. This is an extract from one of his most notable blitz flora studies of ruins at St Paul’s in London in tempera. Hodgkin was a master of detail and captured the shape and form of many of the blitz plants at their best. The original is in the Imperial War Museum collection.